G-7b5, C7b9, F-7, Bb7, Ebmaj7

It’s easily in my top ten things to do. Things that make my blood flow. That speak to me of the goodness of life. Of the sacred wonder of creation. Of the mystery we call Incarnation (God-with-us). I’d be afraid to try to prioritize, but it would rank somewhere in there with a crystal-glass lake at dusk and the thrill of feeling your toes just above that surface, skimming at almost 40 mph… somewhere in there with a snowy, fresh-powder day, chasing two boys in and out of snow-covered pines… somewhere in there with the smell of fresh-shaven wood chips, a finished product emerging under sandpaper and a coat of polyurethane… somewhere in there with the taste of home cooked food, a gathering around a table, the natural conversation that flows among friends, and the Spirit which that setting evokes. I wouldn’t want to prioritize, but it’s in there.

The first time I played in a jazz band, I was a would-be trumpet player. A band friend had initiated me with several invitations to community concerts. Benny Goodman, the Count, Woody Herman… I couldn’t believe it. Silky strains… syncopation with unimaginably tight tolerances… screaming horns… and chords I’d never heard before. I’d later learn to call them by their names: A7, C6, Ebmaj7, G-7b5, C7#9… but when I first heard them, they were just cool. Opening a new world of music. A new world.

Harry Boughknight was an old-school band director. We marched block-band style and played everything in 4/4. I learned Sousa in marching band. But Mr. B also loved the Big Band. In the next few years, that high school jazz band would play concerts at school, dances in town, and country club bookings, every performance further engraining in me the love of bee-bop and swing and Latin and jazz waltz. I progressed through high school, and Furman’s jazz program notched it up a couple levels – you see, those guys could really play! I loved every minute of it. But life moves on, and unless you’re very diligent, keeping up your lip is nearly impossible. So the bands fell by the wayside, and a couple years after moving to Charlotte, even the all-jazz public radio station went under, diminishing my jazz exposure to a shameful dearth .

Then came Jazz Vespers…

It’s easily in my top ten things to do. Things that make my blood flow. That speak to me of the goodness of life. Of the sacred wonder of creation. Of the mystery we call Incarnation (God-with-us). Our Jazz Vespers have given me a chance to re-discover the world of jazz. This time at the piano. And it’s a thrill – because I’m not a real player, but I’m getting to back up some guys that are! In that first jazz band, 1979, John G. Franklin played first-chair trombone, and then bass. He could play then. He can play now, and he knows the world of musicians in Charlotte, and has brought some really fine players to share their chops with us.

We’re up again, Friday. 6:00 pm. The combo is practicing this week, and we’ll do some sacred jazz for you (if you don’t mind swinging a few Baptist hymns) and some standards (just to prove that “secular” music is sacred, too). We’ll meet in the Chapel. There will be no sermon, per se. We’ll serve fair-trade coffee (which you can drink while you listen). And we’ll enjoy scripture and poetry and silence, and will seek to encounter the mystery we call God, as we gather as a community of faith, around the Godly strains of Jazz. Bring a friend and join us. I think it might make your top-ten, too.

G-7b5, C7b9, F-7, Bb7, Ebmaj7 (Translation: a benediction from Errol Garner’s “Misty”)…